ADDICTED PRODUCTS Simone Rebaudengo.
jealous of other appliances’ usage, brad the toaster finds a new home when neglected.
IF WE COULD COMMUNICATE WE WOULDN’T HAVE TO Brendan Heshka.
when products have feelings, someone has to be their therapist.
What makes a sad object? Here’s me in my DIY home studio, and the talented metalworker Taylor Elliot, making spoons and chairs sad
home happiness
security hub
Why do we own things we do not use?
Why allow our peers to determine our value to society?
Is our empathy genuine or just for show?
Do we allow our products too large of a role in our lives?
Appeals to desire for belonging and social acceptance
Enables users to discreetly use service and avoid embarassment
Pacifies users’ feelings of guilt for causing objects pain
CINEMATOGRAPHY + FILM EDITING. Dustin Lee Hamel.
PERFORMANCE. Moira Nelson. Katie Wagner.
NARRATION. Jeffrey Tindi
PROP MAKING. Taylor Elliot. Katie Wagner.
STOCK IMAGES. Adobe Stock.
MUSIC + SOUND EFFECTS. free-stock-music.com. soundbible.com
ICONS via noun project. Linseed Studio: Textured Arrow. Xela Ub: Toaster. Vittorio Maria Vecchi: Maid. Gregor Cresnar: Security Home. Raji Purcell: Pixel Heart. Randomhero: Heart Rating. Andy Fuchs: TV. Juan Pablo Bravo, CL: Trampoline. Design GIgaSavvy: Grill. Yi Chen: Dining Table. Brand Mania: Couch. Ben Davis, RO: Armchair. Vladimir Belochkin: Car. Mello: Lamp 1. Ilia Sokolov: Coat.
CRITICAL DESIGN INSPIRATION. Critical Design in Context: Matt Malpass. If We Could Communicate We Wouldn’t Have To: Brendan Heshka. Addicted Products: Simone Rebaudengo. Dunne + Raby,